This February, Matías Medús, a musician, producer, and recording technician from the Alamo Studio in General Roca, Rio Black, Argentina, will set off on a trip in order to record music of the world. Armed with a small recording system, some instruments, and an iPhone 7; Matías will begin his trip in London recording musicians and artists who walk through the world, in towns, villages and large cities.
We chatted with Mati about his upcoming journey:
PFC: What / Who inspired you to travel the world and record/film musicians?
Matías: The greatest source of inspiration is undoubtedly Playing For Change. Showing the world with its huge diversity and finding strength from these differences to convey a single message through music is really wonderful. On the other hand, having traveled several places and having met such wonderful musicians with stories so incredible, it motivates me to go to meet them, and with my other passion of recording and producing, I hope to share these melodies and stories that ring around the world.
PFC: How long will you travel and what countries/places will you be visiting?
Matías: The first few months I’ll be in the UK, Iceland, and Scandinavia, and will plan the trip from there as I go. The trips are constant movements in every way. I’ll let the music and finding people guide the way to go. Similarly, in relation to the duration, there’s no scheduled time.
PFC: Why did you choose London as the first location?
Matías: London is a wonderful place for artistic life. It is a fundamental step for nomadic musicians from the world and has an incredible musical history with its streets, bars, and corners. I certainly find in the streets and scenes big stories that deserve to be shared with the world.
PFC: What does “Playing For Change” mean to you?
Matías: Playing For Change is an absolute inspiration. When you think about it, it is a wonderful proposal, but when we move a little in this world, this message and this work is really an invitation to be part of that philosophy of life, that way of living music, traveling and meeting other people, whether musicians or not. Knowing Playing For Change allowed me to dream of my own project, which is “Music Wanderer,” and inspired me to go out to the world to record those great unknown musicians who have so much to say in their songs.
PFC: Day 1 upon arrival, where do you go?
Matías: On the street. That will be the first look at the nomadic artistic community in London. I am also mindful to explore different scenarios and social networks that will be of great help to know the proper motion of the places where the musicians are moving.
PFC: How do you plan to meet new people?
Matías: There is no recipe to meet people. It’s about being open-minded and letting our spirit enable us to add new stories to ourselves. Music does not need translation dictionaries or large presentations. It flows and I hope my instruments, recording equipment and my desire to meet the music of the world are a door to know the people I need to know in order to make this truly enriching musical adventure and both my music. My project, “Music Wanderer,” taps into all musicians who want or have something to tell from his melodies.
PFC: What will make this trip a success in your eyes? What do you hope to accomplish?
Matías: Success is everchanging. “Music Wanderer” is the engine and the cornerstone of this journey around the world to make a real connection with other musicians and their stories. To show this through recordings is the big goal.
“The global unity in the Playing For Change concept is phenomenal.Collaboration in music is everything and this is the epitome of that.”
– Robbie Robertson
In honor of it’s 50th anniversary, Playing For Change has partnered with Cambria® to bring you The Weight, our newest Song Around The World, featuring Robbie Robertson of The Band. Released in 1968, the song was written by Robertson, and has since survived the decades as an uplifting and uniting classic, engrained in our global musical history. The Weight is a song that reminds us of our humanity, connects us in our individual struggles, and teaches us to be kind to one another. With lessons like these, we learn that we are one human race, connected through music, and that we are all alike in our hardships we face.
This Song Around The World is dedicated to The Band, with special thanks to its members; Rick Danko, Levon Helm, Garth Hudson, Richard Manuel, and Robbie Robertson.
To help us celebrate this monumental moment for The Weight, we recorded musicians from all over to share their weight with the world. The video features longtime greats like Ringo Starr and Robbie Robertson himself, PFC’s own Roberto Luti, Keiko Komaki, Mermans Mosengo, and Robin Moxey. Additionally, we’re thrilled to welcome both old and new faces alike, including John Cruz and Lukas Nelson.
The humble son of Willie Nelson, Lukas is a soulful and inspiring country artist as well as the latest musician to join us in the movement to bring peace through music. Recently, we met with him in Venice, CA to record this song.
While new to the movement, Lukas has continually done his part in breathing new life into timeless songs from our past. In collaborating with Playing For Change, he had this to say about the power of music and the people who listen:
“I’m honored to be a part of this community of good humans doing good things… music is a connecting force that spans cultures and brings them together .. may we continue to learn about each other through the rhythms and the notes we play.”
– Lukas Nelson
Great songs can travel everywhere bridging what divides us and inspiring us to see how easily we all get along when the music plays. Spanning 5 continents, this song is yet another example of the special connection we all share through music, and the seamless way in which we can unite across borders and barriers that stand between us.
Special thanks to our partner Cambria® for helping to make this possible and to Robbie Robertson, Ringo Starr and all the musicians for joining us in celebrating 50 years of this classic song.
In April, the members of the Playing For Change Band made their 6th appearance at the Byron Bay Bluesfest in Australia. This was the festival’s 30th year anniversary, and it featured a lineup of renowned world musicians such as Iggy Pop, Norah Jones, George Clinton, Mavis Staples, and Gary Clark Jr., as well as some PFC favorites like Jack Johnson, Keb’ Mo’, and Larkin Poe.
Byron Bay Bluesfest
From humble beginnings, the Byron Bay Bluesfest has grown to become one of the world’s largest venues for live blues music. The festival has attracted international attention by featuring some of the biggest names in music, routinely drawing in global audiences numbering in the hundreds of thousands.
In the past, Bluesfest has been headlined by the likes of Bob Dylan, BB King, John Mayer, John Legend, Angélique Kidjo, Robert Plant of Led Zeppelin, and many more outstanding artists. It has also led rise to the annual Boomerang Festival, a ground-breaking Indigenous arts festival for all Australians featuring an array of music, dance, theatre, comedy, and film, all to celebrate the heritage of first nations people.
As the Byron Bay Bluesfest continues to grow, its yearly celebrations of music, culture, and community have grown far beyond their blues, jazz, and roots beginnings, becoming a world stage home to Australia.
Playing For Change Band
For the past 6 years, the PFC Band has been honored to connect with international audiences on one of Australia’s greatest stages. Although the band has seen many new faces and friends throughout the years, the mission to “connect the world through music” has always remained the same.
With Titi and Tula, Mermans and Tamba, Keiko, Roberto, Robin, Chantz, and more, the band was in full swing by the time they arrived in Byron Bay, having just played together in Bahrain a few weeks prior. They also managed to play a second show while in Sydney that same weekend, sharing the music with as many people as they could.
At the heart and soul of the PFC Band, we were overjoyed to see Grandpa Elliott make his way down under, gracing the Australian audiences with his profound bellowing voice and uplifting harmonica chimes.
In anticipation for the band’s 6th appearance at the Byron Bay Bluesfest, organizers wrote:
“Playing for Change is back to share their powerful live performance with everyone at Bluesfest this Easter 2019. The unique fusion of influences and music from more than seven countries allows for an extremely special performance. United in purpose and in chorus, everyone is touched by music’s unifying power!“
From an Iowa farm girl to the Berklee College of Music, and finally beyond as “Lady B”, bass queen of the Florida Keys, Claire Finley has amassed a wealth of experience in her time as a professional musician. Now, she has started a new chapter as lead bassist for the Playing For Change Band, touring in Bahrain, Brazil, and recently arriving in Australia for the upcoming Byron Bay Bluesfest this weekend.
To formally introduce our newest member of the PFC Band, we asked Claire to share her story.
Although a bassist at heart, Lady B’s first connection to music was through the piano, which she started “plunking out melodies” on by the age of four. From then on, Claire made the plunge into performance, practicing-traveling-and-competing her way in classical piano, knocking down 11 consecutive superior ratings by her senior year of high school. Beyond piano, Claire tried her hand at nearly every other instrument and opportunity she could, “playing violin in orchestra, electric bass in jazz band, bass drum in drumline/marching band, French Horn and percussion in concert band and electric guitar“. As a driven musician from a young age, she notes that she has her parents to thank for supporting her ambition and busy schedule.
Picking up the bass in fifth grade, Claire had discovered an entirely new medium for expression through the instrument and began playing in the church band and the middle school jazz band immediately.
“The Bass seemed to give me an outlet that the classical piano didn’t offer. My place in the classical world was about perfection….carefully emulating famous works by renowned composers and being judged on my interpretation of what was notated on the page. Although I had appreciated the meticulous and detail-oriented nature of the style, I knew there was another musical world out there where self-expression was welcomed and encouraged.“
It was only once Claire discovered her love for the bass that she came to the realization that music was going to be her life. She says, “I had finally found an instrument that resonated with my idea that music should be joyful, creative, and fun“. Since then, she has lived a musical life that is just that. She has always gone with where the music takes her, and as of most recently, it has brought her to new countries, new audiences and new experiences in her role with the Playing For Change Band.
When did you first hear about Playing For Change?
I first heard about Playing For Change several years ago, having seen a couple of the viral videos being shared by friends online. However, I didn’t realize these very moving videos were also part of a non-profit to raise money to support the creation and sustainment of music schools around the world. I remember being brought to tears, seeing so many different people from all over the world with different beliefs and cultures coming together to play the same song. A genius idea to promote world peace through music.
How did you eventually get involved with the PFC Band?
I was invited to attend and perform at the wedding celebration of my friend and PFC advocate, Savannah Buffet and her fiancée, Joshua. The special weekend finally came and there were lots of late-night jams with all the musicians in attendance during the celebrations. That’s when I ended up meeting Mark Johnson and Raan Williams and jamming with Robin Moxey, one of the producers and guitarists in the PFC band. We all hit it off immediately and musical magic was in the air!
Five months later, this incredible weekend morphed into the PFC crew coming to Key West, Florida to film and record ME for my very first appearance in a song around the world. I will never forget the feeling I had when we were setting up at my favorite beach with the recording gear and film crew. I felt like this was it…I finally found what I was supposed to be doing with my music. The idea that music is the only international language had always resonated with me…but this was a project that could actually prove visually and sonically that this theory was true.
Is this the largest band you’ve ever been a part of?
The Playing For Change Band is definitely one of the largest musical collaborations I’ve been a part of. While at Berklee, I participated in many performances with large groups but they were always one-off shows for special occasions. The difference from these experiences is that the Playing For Change Band is a family. It’s about creating a foundation of support to continue spreading the word of the movement throughout the world. Being a solid band unit allows us to build on this foundation and learn from each other constantly. Everyone hears and performs music differently. The opportunity to be surrounded by so many talented international musicians, all with different stories to tell, is truly a dream come true.
As an artist who routinely performs with many different groups, is there anything unique/special about the PFC Band that you haven’t experienced anywhere else?
Absolutely. Playing music for such a good cause, using my musical powers for the greater good of humanity, is an amazing feeling. The memories we are able to create while on the road are memories I will cherish forever. Even outside of the music our friendships are strong and we are there for each other. Having the opportunity to hone in on the African, Latin, Reggae, Blues, and other styles of music we play are very exciting. We are all learning together and teach each other. I’m pretty sure Mermans Mosengo knows everyone’s’ parts! If I ever forget or have a hard time with a bass line or rhythm, he is right there showing me the way. I’ve already learned so much in the short time I’ve been in the band!
What’s been the highlight of performing with the band so far, and is there anything that you’re most looking forward to in the coming months/year?
Since I joined PFC in October, I’ve already had the opportunity to travel to two places that I always wanted to go, Brazil and the Middle East. Now, Australia! Travel has always been a huge passion for me so being able to combine this with music and great people fills me with joy. I am thrilled and looking forward to continuing this adventure, traveling to even more places I’ve never been, and musically connecting with as many people as I can across the globe.
We heard that you recorded one of your songs with Mark Johnson and the PFC Band. Can you tell us more about “Run”, and what it was like to perform/record your song with the whole group?
‘Run’ was a song that I wrote with my friend Jason Lamson in my living room in Key West Florida. Feeling inspired to write more after a successful songwriting visit from Robin Moxey, I called up Jason and asked if he wanted to get together to brainstorm and try to write a song. He swung by with his notebook and showed me a lyrical melody idea he had, “I’m gonna run, as fast as I can”. That line inspired me. How cool would it be to write a song that focuses on running towards the good instead of away from the bad?
Robin helped me come to the realization during his visit that I had a story to tell and needed to tell it, so I did and it turned into ‘Run’. The lyrics of this song resonate with the feelings of fear and longing that I’ve experienced living the life of a musician and always striving to get to that next level. In order to pursue this dream, I needed to give up the comforts and financial security of the wedding band business, which scared me. But, there was something else out there. It was finally time to run towards all those positive opportunities and take a chance for something even better, which ended up coming to complete fruition when I became a part of the Playing For Change Movement.
First hearing the song performed live by the band was an overwhelming and emotional experience. To have created something that has the chance of inspiring others to “dream big and take chances” fills me with such joy. Another big moment for me was when we were at 2 Seas in Bahrain working on the official studio version. Titi Tsira and the rest of the band put their magic touch on the track and just blew me away. Even down to Merman’s perfectly timed vibra-slaps. Hahaha… it was a moment I will never forget.
What does Playing For Change mean to you?
The entire Playing For Change Movement resonates in a huge way for me. Our musical voices are so much stronger together than alone. United, we have a much better chance of actually being heard by the rest of the world. The opportunity to SEE the change, and BE the change with such an incredible group of people is an honor that I will never take for granted.
Are you working on anything else right now that you’d like to share with us?
Currently, in between PFC adventures, I try to fill my life with experiences that will help facilitate creativity and inspiration to write more songs! The life of a musician is never boring! ; )
Thank you Claire for sharing a glimpse into your life, and thank you for everything you bring to the Playing For Change Band!
The last time we spoke to A Brother’s Fountain, they were gearing up for a musical expedition to South Africa with no money, food, or outside support whatsoever. All they had were their instruments, the clothes on their back, and an unbreakable spirit and determination to put the power of music to the test.
Now that they have returned from the journey of a lifetime, we’ve reconnected with these explorers to document the experiences they had, to learn about the people that made their mission a success, and to discover what is next for the band with their newfound faith in the power of music!
Can you tell us about your average day while busking through South Africa?
The unique thing about this trip was that every day brought something completely new, and we never really had an average day. One thing we always did, was when woke up we would all get together, make some coffee, and then have some quiet time before the day started. This was pivotal as it gave us an opportunity to chat through how we were feeling with each other, and also get some crucial alone time to meditate and pray to reset ourselves and be grateful for each day.
From there we would make a plan and go do it. Music was our currency and connection tool so most days revolved around music. Mornings after quiet time we might research and call places we could play. Then we would go out and play music on the streets, for people we stayed with, at a pub, or in a hostel.
Tell us about the people!
The South African people were some of the kindest we’ve met in the world. So open to meeting someone new, and always down with some live music. We felt really privileged to meet South Africans from a lot of different backgrounds and walks of life and still felt so welcomed by them all. We were also blown away by the hope shown to us by the South African youth! Every kid of any age we met was always kind, engaging, and genuine towards us and each other. Looking us in the eye, asking us about our trip and always encouraging us in our musical journey.
The Playing For Change Foundation’s Imvula Music Program in Gugulethu
On one of the many stops for A Brother’s Fountain, the band was able to connect with the students and teachers at the Imvula Music School in Gugulethu, South Africa.
To top off a stellar performance and a memorable experience for all, the band chose to donate their instruments to the students, leaving a lasting impact on the Imvula Music School and demonstrating their own generosity granted through the power of music.
“We can’t say enough great things about the people of Gugelethu and the Playing For Change Foundation music school. We were welcomed with open arms and had such a good time playing music and hanging out with the kids and adults there. The connection in Gugs was the perfect icing on the cake for the journey. We were so happy that we were able to give them a few nice instruments to help keep the music alive and thriving there amongst the youth. We can’t thank them enough for welcoming us with such open arms.”
-AJ Fountain, A Brother’s Fountain
Were you able to perform with any new friends and fans?
We did have a few magical moments with other musicians. We had a great sunset beach jam in Cape Town with a South African saxophonist and an Argentinian ukulele player who we also met down by the beach. The feeling is indescribable to look out over the ocean and watch the sun setting with the sand beneath your toes as you play your heart out with total strangers who feel like best friends.
What did you learn in your travels?
The greatest highlight of the trip was having nothing. The feeling of waking up with no idea where each day was going. It made every day a grand adventure and every little blessing seem like a miracle from God.
We learned to not let them tell you it can’t be done, to dream bigger. We learned to never underestimate the power of a stranger. To stay grateful for every little thing and life will become so much more magical. We learned to keep the faith to make your story epic and worth telling.
Would you recommend more musicians go on similar adventures to test the power of music?
Absolutely we would. It is such a raw, invigorating and renewing experience to have nothing but your instrument to get around. The weird thing is although we played every day, and sometimes multiple sets a day, we never really got sick of the music. Playing music gave us a purpose, it allowed us to provide something to those who helped us, and it was tied in with surviving as our main focus every day. This reshaped how powerful music is to ourselves and others. It was our expression of who we were and what we were about, and our ability to bring down walls and bare our soul. It was such an honor and gift to play under those circumstances, and I’d definitely recommend it to any musician.
When will we be able to experience the trip with you? Will you be creating a documentary of your adventure?
Follow along for teasers at ABrothersFountain, but hold tight because it might be around 6 months of intense editing before the full short film will be coming out. This trip was so special that we want to make sure the short film about it is done right, so we can’t rush the process.
[UPDATE] The first teaser has been released. Check it out:
Next for us is to take these lessons we learned and apply them into our day to day lives in the states. We fell in love with the concept of ‘Only Music’ and are now planning on continuing in that theme with more trips and episodic content. This could include traveling internationally again, but we’re also looking to go out on some tours in America with only our instruments.
In the next couple months, we’ll be finishing up another documentary similar to Only Music / South Africa which we’re calling Only Music / Alaska. It features my brother, Justin Fountain, who hitchhiked up to Alaska from his house here in Fort Collins about six months ago, with nothing but a backpack and a mini guitar, again bringing no money and no food to start his journey. What happens is epic and magical and we can’t wait to show that journey to the world soon.
Until then, we’ll just have to wait. For now, we encourage you all to stay close to A Brother’s Fountain as they continue on their musical journey, crossing borders, bridging divides, building relationships, and connecting the world through music. This band has embodied the mantra of their mission, to not only survive, but to THRIVE through music. We are excited to see what’s next for ABF, and we grateful for their willingness and openness to share the songs and stories from their travels. Hopefully, their faith and trust in the power of music is something we all can learn from.
In the 50 years since its release, “(Sittin’ On) The Dock of the Bay” has become a timeless classic of Otis Redding‘s and a permanent landmark in our world’s musical history. By the age of 26, his music had reached the heights of Ray Charles and Sam Cooke, and touched the ears of millions of listeners from across the world. Despite his passing at an early age, Otis Redding left a legacy of music that will continue to span the generations as songs like “Dock of the Bay” retain their relevant nature and timeless touch.
As a young artist, Otis Redding was already bursting with talent. He began as a gospel singer in the Vineville Baptist Church choir where he also picked up the guitar and the piano, and later, drums. By age 10, he found weekly employment singing on WIBB radio in Macon, Georgia, and later, compete in a radio talent show called, “The Teenage Party,” which he would go on to win 15-consecutive times. Having left school at a young age to support his family, Otis Redding‘s future was now beginning to reveal itself, and upon leaving his home in Georgia, he and his sister, Deborah, would make the move out to Los Angeles where he could officially begin his career.
It did not take long before Otis found his rhythm, first through his recordings of popular ballads, and later by writing, recording, and performing his own songs. Some of his greatest work includes, “These Arms of Mine,” “Try A Little Tenderness,” “Respect” (yes, that Respect), “Mr. Pitiful,” and “(Sittin’ On) The Dock of the Bay.” At the height of his career, “Dock of the Bay” would become Otis Redding‘s most successful song, with its final version recorded just days before his untimely death at the age of 26. “Dock of the Bay” marked a transition in Otis’ career that was highlighted by his masterful expression of soul, coupled with the gentle despair of the blues. Throughout his career, Otis Redding maintained an articulate simplicity in his songwriting, filling the space with just as many words as emotions, once saying:
“There is beauty in simplicity whether you are talking about architecture, art or music.”
At Playing For Change, our appreciation for the work of Otis Redding goes back to the very beginning with Roger Ridley‘s unforgettable performances of “Stand By Me” and “(Sittin’ On) The Dock of the Bay.” In honor of his influence within our organization, and in light of the impact his legacy has had on connecting the world through music, we partnered with the Otis Redding Foundation and Princess Cruises to celebrate the 50th anniversary of “Dock of the Bay” with its very own Song Around The World. Featuring artists Jack Johnson, Corinne Bailey Rae, Aloe Blacc, Otis Redding III, Dexter Redding, Otis Redding Foundation Students, and more; this video takes you from the San Francisco Bay to the streets of Barcelona to the seas of Jamaica and beyond.
“This was such a wonderful way to celebrate 50 years of ‘(Sittin’ On) The Dock of the Bay,’ and certainly an appropriate and heartwarming way to honor and remember the legacy of my husband.”
-Zelma Redding, President of Otis Redding Foundation
Peace Through Music
With special thanks to all those who participated in the 50th anniversary tribute to Otis Redding‘s “(Sittin’ On) The Dock of the Bay,” we are proud to announce that the proceeds from this video will benefit the Otis Redding Foundation and the Playing For Change Foundation. Both organizations support youth empowerment through music education, and further our mutual dream to bring peace through music.
Larkin Poe, a sister duo raised in Atlanta and based out of Nashville, are a rising southern roots and rock group that has a bit more connection to their roots than you’d expect. Receiving their name in honor of their great-great-great grandfather, Larkin Poe, cousin of Edgar Allen Poe, both Rebecca and Megan Lovell are carrying on the family legacy of artistry, one stunned crowd at a time.
Boasting their strong southern harmonies, gritty guitar riffs, and endlessly rhythmic vocals, Larkin Poe have developed their personal brand of blues throughout countless collaborations with premier musicians, ranging from Elvis Costello to Gary Clark Jr., Keith Urban and even Steven Tyler. Beginning their career as teenagers in 2005, the girls had formed a trio with their third sister, Jessica, calling themselves The Lovell Sisters. For four years, the sisters toured, wrote new music, performed at festivals like Bonnaroo, and self-released two albums of their own, all while honing their talents and refining their abilities. When the trio disbanded in 2009, Rebecca and Megan joined together to form Larkin Poe, and since then, have developed a masterful wheelhouse of old blues ballads and their own new-age Americana sound.
During their first three years as a duo, Larkin Poe released five independent projects and two collaboration albums. In 2013, the sisters managed to sign their first record deal with RH music, and immediately began their first full-length album, Kin. Following its release, the pair went back on the road, making appearances at Lollapalooza, Glastonbury (twice), and another stop in at Bonnaroo. In 2016, Larkin Poe contributed to Steven Tyler’s solo debut album, We’re All Somebody From Somewhere, and just last year, they were invited to perform with Don Henley and Jackson Browne at the Tom Petty Tribute performance in Los Angeles. Along the way, Larkin Poe has managed to release three additional albums, with their latest arriving just last week, November 9th, titled, Venom and Faith.
“Larkin Poe are not only highly professional, nearly perfect musicians, they also manage to add a new passion, modernity, and elegant coolness to the genre of Rock.”
Run In With PFC
We first heard about Larkin Poe through our friendship and collaboration with Robbie Robertson of The Band and his son Sebastian. They are both fans of Larkin Poe and once we checked them out, we too became fans for life. We were able to meet up with the sisters in Venice Beach, California, to record them performing a Live Outside rendition of Robert Johnson’s, “Come On in My Kitchen,” which was also featured on their 2017 album, Peach:
“We’re two southern sisters: born in Tennessee, raised in Georgia. Having grown up in the south, the blues has always been a huge part of our musical upbringing. In the past few years, we’ve been inspired to strip it back to our roots and pay tribute to the music that raised us… And “Come On in My Kitchen” was one of the first blues tunes we ever learned how to play.” – Larkin Poe
Currently, Larkin Poe is in the midst of a tumultuous tour with tickets still available for shows throughout the U.S. and Canada, U.K., Germany, Italy, Spain, and Australia among many more locations worldwide. They will be traveling throughout spring, with shows booked until the end of April, and their full tour schedule and ticket locations are available on their PFC musician profile.
We are grateful to have had the opportunity to collaborate with such an inspiring and impressive pair as Larkin Poe, and are excited to see what more will come from the soulful southern sisters.
In a vast world brimming with genuine talent, Taimane Gardner is among the most remarkable and awe-inspiring performers to take on the ukulele, breathing life and energy into her music that can only be described as a true force of nature.
Receiving her name from the Samoan word for “Diamond,” Taimane is a Pacific Islander herself, born in Honolulu, Hawai’i to a Samoan mother and European-American father. In tune with her name and heritage, Taimane cannot help but shine in the spotlight, pursuing her passion for music and expression of sound to its fullest extent throughout her 15 year career. By the age of 5, Taimane was learning and practicing the foundations of the ukulele, but soon found herself reaching far beyond the instrument’s traditional capabilities by introducing a wide range of genre’s and play-styles that were fueled by her inner rockstar. As her talents grew, this young and inspired musician soon caught the attention of many well known ukulele masters, and at the age of 13, she was invited to join Don Ho as part of his show at the Waikiki Beachcomber. Through this opportunity, her investment in her music soon became intertwined with a new passion for performance, and just as her technical abilities would grow, so too would her powerful stage presence become an impressive facet to her music.
“With the fierceness of a rocker, and the grace of a dancer, Taimane and her music are wowing ever-larger audiences.”
From Bach to rock, flamenco infernos to tribal hymns, Taimane focuses her songwriting and performances on bringing feelings and visions to life. Sharing her music with fans across the world, Taimane continues to tour extensively throughout the Hawaiian Islands, still finding time to play shows in Australia, Germany, Japan, France, China, and mainland U.S. among other locations abroad. Three years after her first show with Don Ho, Taimane would debut her first album, Loco Princess, and has since completed four additional album’s, the most recent of which, Elemental, released in 2018.
On Elemental she celebrates the energy of each element with songs entitled water, fire, air, earth, and ether. Recognizing her connection to the strength and beauty of nature, she possesses a unique ability to translate the objects our environment into audible energy, with soft finger-plucking to mimic the repetitive sounds of flowing water or dark and densely rhythmic strumming to simulate the violent storms of Mercury. Coupled with this enigmatic approach to the ukulele, Taimane can also be found shredding through covers of AC/DC, System of a Down, and “Stairway To Heaven” by Led Zeppelin.
Here is Taimane performing “Bodysurfing” at the Staples Center in Los Angeles, California:
The vibrantly expressive nature of Taimane’s ukulele is in many ways a response to the limitations that were put on her as a young girl with a big dream. She wanted to disprove the assumptions of how a true ukulele virtuoso looked and sounded, and in doing so, she has expanded the possibilities of the instrument for a new generation of musicians to learn from. Yet, as a renowned composer, performer, and masterful musician, Taimane’s impression of her music is much more lighthearted.
“The ukulele, although maybe underestimated, can definitely blow some minds”
Run In With PFC
In August of last year, Taimane and the PFC team first met at a BBQ at Mark Johnson‘s house prior to her performance at The Mint later that night. Upon meeting, both parties found an immediate connection, and spent the evening eating, talking, singing and playing together until Taimane had to leave for her show. In the months following this introduction, we were able to coordinate two Live Outside performances with Taimane and her fellow musicians, Jasmine “Jazzy” Skurtu (guitar), Windy Weather (violin), and Jonathan Heraux (percussion).
Here is their performance of “The Moon,” filmed in Kualoa Ranch, Oahu:
Taimane also has a history of playing with other PFC favorites, Jack Johnson, John Cruz, Paula Fuga,and Lopaka Colon Jr., all featured in our Songs Across Hawai’i series. While truly dedicated to her local Hawaiian community, Taimane’s talents have certainly not gone unnoticed, as she is currently on the Grammy ballot seeking a nomination for Best World Music Album. Heading into the future, Taimane will be releasing two new music videos later this year from her Elemental album, as well as a new song about her love of Yoga. She will also be writing and recording three songs for an indie feature-film being shot in Hawai’i in 2019, and is preparing for tour dates in the U.S., Israel, and Europe for the coming year. To learn more about her upcoming projects, please visit her website here.
LOS ANGELES, CA—Playing For Change (PFC)—the global movement that was created to connect the world through music by recording, filming, and distributing musical performances—is proud to announce its new sponsor, Audio-Technica, will supply microphones and headphones to all international PFC-related events. Additionally, the Playing For Change Band and the Playing For Change Foundation will receive donations of microphones and headphones as well as technical support from Audio-Technica.
Reflecting on their future relationship, Playing For Change CEO/Co-Founder Mark Johnson offers, “We have been using Audio-Technica headphones for years and are excited to have them joining in on our ongoing mission of connecting the world through music. Much of what PFC does involves getting audio in the field—a task to which Audio-Technica microphones and headphones are well-suited. Audio-Technica also understands that music is about people, that it’s our global language and heritage, and it must be preserved and cherished. We look forward to a long-lasting relationship with Audio-Technica and together, show that great sound is everywhere.”
“Playing For Change represents the ways in which music unites us around the world,” adds Audio-Technica US President/CEO Phil Cajka. “We are proud to support their endeavors and we look forward to serving as an advocate for their efforts throughout the year.” That shared mission will result in Audio-Technica’s sustained presence in all PFC ventures as the organizations work together.
In addition to PFC Day events, PFC–affiliated concerts, and the Playing For Change Band directly benefitting from the Audio-Technica sponsorship, students from around the world who participate in any of the 15 Playing For Change Foundation music programs will also receive headphones, microphones, and Audio-Technica technical support.
Playing For Change is proud to join our partner, nana, for the “Listen to the Music” Contest!
Collaborate with musicians from around the world using official Playing For Change tracks exclusively available on the nana app. Nana will carefully hand-select 20 finalists from all submissions and the PFC team will choose the “Best Collaboration” and “Outstanding Collaboration” to win some special prizes.
DOWNLOAD THE APP
STEP 1: Learn the original song
STEP 2: Choose which track you would like to collaborate on and record
>Check out the official tracks by Playing For Change
>Go to the track you want to collaborate on and Hit the Collab button to add your sounds
For Singers: You can sing solo or sing with the backing chorus. You can also add some harmony or ad-libs to it.
For Musicians: You can play your instrumental tracks and build on sounds.
STEP 3: Post with hashtag #nanaPFC
Posts without the hashtag above will be disqualified.
Posts without any singing voice or instrumental sound will also be disqualified.
>1 year PFC membership including an audio digital download of the “Listen to the Music” album and access to PFC’s entire music library
>PFC Shop e-Gift Card (worth $50 USD)
>Receive a special shout-out on PFC social media
>3 month PFC Membership
>Receive a special shout-out on PFC social media
About nana music
Music social app “nana” is a social community where you can “record & post,” “collaborate & share,” whenever and wherever you are with your smartphone. Since its release in August 2012, more than 6 million registered users across the globe are collaborating and enjoying a global music session. Learn more about nana.
Los Angeles, CA, August 22, 2017 — Playing For Change, the multimedia company responsible for the popular ‘Songs Around The World’ video series, has announced it will host WE ARE ONE, a concert benefitting the Playing For Change Foundation and celebrating 10 years of positive change through music. Official partners for the event include Los Angeles’ premier rock radio station 95.5 KLOS, LA Weekly, and Japan-based music app Nana. The concert will take place on Tuesday, October 3, at the historic Mayan Theater in downtown Los Angeles and feature performances from The Doobie Brothers members Tom Johnston, Patrick Simmons, and John McFee; as well as Paul Barrere and Fred Tackett from Little Feat; The Playing For Change Band, that features 10 respected musicians from 10 different countries; world-renowned drummer James Gadson; The Ambassador of Soul, Ellis Hall; legendary harmonica player Lee Oskar; and more. Ticketing options include an exclusive VIP experience with a pre-show meet and greet reception with The Doobie Brothers and musicians, bar offerings, a priority seating area, and VIP gift bag which includes a commemorative poster. Tickets are on sale now athttps://tickets.alistixs.com/event/weareone
Playing For Change has garnered much success over the years by combining musicians from all walks of life, all over the world and showcasing music’s unifying power. Their videos have more than 450 million total online views, with their first ‘Songs Around The World’ video, “Stand By Me,” accumulating more than 100 million views on YouTube since its release in 2008. Artists such as Keith Richards, Bono, Jack Johnson, David Crosby, Jimmy Buffett, Sara Bareilles, Manu Chao, and many others have participated in these multi-cultural videos performing songs such as Bob Marley’s “One Love” and “War/No More Trouble,” Otis Redding’s “(Sittin’ on) The Dock of the Bay,” and John Lennon’s “Imagine.” Playing For Change’s new record, being released next year, features The Doobie Brothers along with more than 20 musicians from across the globe in a Song Around The World version of the band’s iconic hit song, “Listen to the Music.” The video for this song will be premiered at the show on October 3rd.
The Playing For Change Foundation, a separate 501(c)3 organization, was established in 2007 in order to give back to the communities of the musicians met while filming these videos. Now embarking on its 10th year, the foundation has developed 15 music programs in 11 countries including South Africa, Rwanda, Nepal, Thailand, and Argentina, and serves more than 1200 children. All proceeds from the WE ARE ONE benefit will support free music education as well as supplemental primary educational support, and life enhancement services provided by the Playing For Change Foundation and assist in its effort to serve even more communities.
“When one thinks of the thousands of children around the world positively impacted by the Playing For Change movement, gaining free access to music education in their own homelands, the love over a decade is simply immeasurable,” said John McKenna, Executive Director of Playing For Change Foundation. “What better place to celebrate than right here where it all started? We look forward to an unforgettable evening of joy, celebration, and recommitment to the children everywhere, through united love and song.”
“This concert represents 10 years of traveling to over 50 countries connecting the world through music. From the streets and villages to the stage to the hearts of the people, Playing For Change,” states Mark Johnson, Co-Founder of Playing For Change.
Extended Deadline: September 10 – November 4, 2016
One of the most respected songwriting competitions throughout the world, ISC is known for being a launching pad for music and songwriting careers. More than $150,000 in cash and merchandise will be awarded to 71 winners, including a Grand Prize of $25,000 in cash.
Have your music heard by some of the biggest names in the music industry. Renowned for having prestigious celebrity and industry judges, ISC has an impressive line-up for 2016, including: Tom Waits, Chris Cornell, Ziggy Marley, Bastille, Lorde, Sara Evans, Donovan, India Arie, Mike Stern, Joe Bonamassa, Marti Maguire (Dixie Chicks), Joy Williams (The Civil Wars), Ryan Bingham, Salif Keita, Vijay Iyer, and more – plus top industry executives from major record labels including Craig Kallman (Chairman/CEO, Atlantic Records), Dan McCarroll (President, Warner Bros.), Seymour Stein (Chairman/CEO, Sire Records), Daniel Glass (President, Glassnote Records), Craig Balsam (Co-Owner, Razor & Tie), John Esposito (Chairman/CEO, Warner Music Nashville), Steve Yegelwel (Senior VP, Island Records) and many more.
Categories include: AAA (Adult Album Alternative), AC (Adult Contemporary), Americana, Blues, Children’s Music, Comedy/Novelty, Country, EDM (Electronic Dance Music), Folk/Singer-Songwriter, Christian, Instrumental, Jazz, Latin Music, Lyrics Only, Music Video, Performance, Pop/Top 40, R&B/Hip-Hop, Rock, Teen, World Music, Unpublished, and Unsigned Only. Entrants may submit as many songs as they wish – in the same category or in multiple categories.
NEW IN ISC 2016
This year ISC has added a new category called Unpublished. We all know how important publishing is to an artist – it is one of the major sources of revenue, but it is so difficult to get your music heard by publishing companies. So, ISC is taking steps to open the doors for you by having established, high-profile publishers as judges for this category only. This is your chance to get your music heard by publishers who can help your songwriting career. Songs entered into Unpublished cannot be owned in any part by a music publishing company (entrant must own 100% of the publishing rights to the song). Songs entered into the Unpublished category must also be entered into at least one other category (excluding the Unsigned Only category). Entries in this category will be entered in ISC 2016 and be eligible for all associated prizes.
Join the ranks of past winners Vance Joy, Kimbra, Goyte, The Band Perry, Passenger, For King and Country, Bastille, Kasey Chambers, Gin Wigmore and many others – and enter your songs now.