PFC Artist Spotlight | Taimane

In a vast world brimming with genuine talent, Taimane Gardner is among the most remarkable and awe-inspiring performers to take on the ukulele, breathing life and energy into her music that can only be described as a true force of nature.


Beginnings

Receiving her name from the Samoan word for “Diamond,” Taimane is a Pacific Islander herself, born in Honolulu, Hawai’i to a Samoan mother and European-American father. In tune with her name and heritage, Taimane cannot help but shine in the spotlight, pursuing her passion for music and expression of sound to its fullest extent throughout her 15 year career. By the age of 5, Taimane was learning and practicing the foundations of the ukulele, but soon found herself reaching far beyond the instrument’s traditional capabilities by introducing a wide range of genre’s and play-styles that were fueled by her inner rockstar. As her talents grew, this young and inspired musician soon caught the attention of many well known ukulele masters, and at the age of 13, she was invited to join Don Ho as part of his show at the Waikiki Beachcomber. Through this opportunity, her investment in her music soon became intertwined with a new passion for performance, and just as her technical abilities would grow, so too would her powerful stage presence become an impressive facet to her music.

“With the fierceness of a rocker, and the grace of a dancer, Taimane and her music are wowing ever-larger audiences.” 

Taimane, Bio


Career

From Bach to rock, flamenco infernos to tribal hymns, Taimane focuses her songwriting and performances on bringing feelings and visions to life. Sharing her music with fans across the world, Taimane continues to tour extensively throughout the Hawaiian Islands, still finding time to play shows in Australia, Germany, Japan, France, China, and mainland U.S. among other locations abroad. Three years after her first show with Don Ho, Taimane would debut her first album, Loco Princess, and has since completed four additional album’s, the most recent of which, Elemental, released in 2018.

On Elemental she celebrates the energy of each element with songs entitled water, fire, air, earth, and ether. Recognizing her connection to the strength and beauty of nature, she possesses a unique ability to translate the objects our environment into audible energy, with soft finger-plucking to mimic the repetitive sounds of flowing water or dark and densely rhythmic strumming to simulate the violent storms of Mercury. Coupled with this enigmatic approach to the ukulele, Taimane can also be found shredding through covers of AC/DC, System of a Down, and “Stairway To Heaven” by Led Zeppelin.

Here is Taimane performing “Bodysurfing” at the Staples Center in Los Angeles, California:

The vibrantly expressive nature of Taimane’s ukulele is in many ways a response to the limitations that were put on her as a young girl with a big dream. She wanted to disprove the assumptions of how a true ukulele virtuoso looked and sounded, and in doing so, she has expanded the possibilities of the instrument for a new generation of musicians to learn from. Yet, as a renowned composer, performer, and masterful musician, Taimane’s impression of her music is much more lighthearted.

“The ukulele, although maybe underestimated, can definitely blow some minds”

-Taimane, TEDxMaui


Run In With PFC

In August of last year, Taimane and the PFC team first met at a BBQ at Mark Johnson‘s house prior to her performance at The Mint later that night. Upon meeting, both parties found an immediate connection, and spent the evening eating, talking, singing and playing together until Taimane had to leave for her show. In the months following this introduction, we were able to coordinate two Live Outside performances with Taimane and her fellow musicians, Jasmine “Jazzy” Skurtu (guitar), Windy Weather (violin), and Jonathan Heraux (percussion).

Here is their performance of “The Moon,” filmed in Kualoa Ranch, Oahu:


Looking Forward

Taimane also has a history of playing with other PFC favorites, Jack Johnson, John Cruz, Paula Fuga, and Lopaka Colon Jr., all featured in our Songs Across Hawai’i series. While truly dedicated to her local Hawaiian community, Taimane’s talents have certainly not gone unnoticed, as she is currently on the Grammy ballot seeking a nomination for Best World Music Album. Heading into the future, Taimane will be releasing two new music videos later this year from her Elemental album, as well as a new song about her love of Yoga. She will also be writing and recording three songs for an indie feature-film being shot in Hawai’i in 2019, and is preparing for tour dates in the U.S., Israel, and Europe for the coming year. To learn more about her upcoming projects, please visit her website here.

One Love,

Playing For Change

Ahoulaguine Akaline | Exiled Electric Extremism

 

“I do not see my guitar as a gun but rather as a hammer with which to help build the house of the Tuareg people.”

With over 1400 years of deeply rooted historical and cultural context in a single song, “Ahoulaguine Akaline” comes from a different breed of rebel rockers. Kel Tamasheq, known commonly as the Tuareg people, are an ancient society of nomads and herdsmen that exist across the Western Sahara desert, spread into regions of Mali, Burkina Faso, Niger, Libya and Algeria. For the Tuareg, the desert has always been their home, but this home has come at a great cost to its people. Throughout the 19th century, colonial imposition cut borders across the Sahara desert, dividing the Tuareg into any of these five neighboring nations. Due to the Tuareg’s powerful resistance of French control, their governance and territory was overwritten by colonial rule, while other less threatening nations arose in cooperation with European expansion. From this division came even more violence as the Tuareg community clashed with their new hosts and governments. Yet, as these nations fought for control over the region, so too did the Tuareg continue their fight for autonomy, seeking independence from the powers that they never wished to be a part of.

In this endless rebellion, death, discrimination, and exile had become all too common for the Tuareg people. So, in hopes of returning to an era of peace, many veterans of the rebellion have put down their guns in exchange for guitars, taking to music to celebrate their life, culture, and to bring about an end to this century-old struggle.


Bombino

One such rebel who has gained international recognition for his remarkable talent and career is Omar “Bombino” Moctar. Born in Niger in 1980, Bombino is a Tuareg rock ‘n’ rebel who learned guitar at a young age, citing Jimi Hendrix and Mark Knopfler as his greatest influences. Dubbed, “The Sultan of Shred,” Bombino has long been recognized as one of the world’s most talented guitarists, but while his career has gained considerable attraction in recent years, his home life has been all but predictable. In the early 90’s, Bombino’s family was forced to flee to Algeria to escape conflict that arose against the Tuareg. It was during this exile that Bombino was first introduced to the guitar, and years later upon his return to Niger, he would join a band where he first received the nickname, “Bombino,” which is a variation of the italian word for, “little child.”

Despite returning home, building his career and shaping his path, Bombino was forced into exile once again when Tuareg rebels clashed with the Nigerien government in 2007. Along with Tuareg soldiers, the government also labeled Tuareg guitarists as enemy’s of the state, due in large part to their rebellious lyrics and opposition of Nigerien control.

It wasn’t until 2010 that Bombino would return to his hometown of Agadez. In celebration of the peace treaty between the government and the Tuareg, Bombino was granted permission by the Sultan of Agadez to host a live performance in the center of town, an event that would have been unthinkable just a few years prior.


Ahoulaguine Akaline

The title of this song translates to, “I greet my country,” and it was originally written by another Tuareg rebel, Intayaden, and was later re-imagined by Bombino on his album, Agadez. Though simple in structure, it is in its simplicity that it captures the powerful sentiment of pain and sorrow felt by Bombino, the Tuareg, and all those who understand the context in which it is being sung. Truly, “Ahoulaguine Akaline” is an acknowledgment of the hardship endured by all Kel Tamasheq, but its purpose lies in its ability to connect the people of Mali, Burkina Faso, Niger, Libya, and Algeria together through its music.

“I greet my country where I left my parents
I greet my country
I greet my country where I left my love
I greet my country
I greet my country where I left my community
I greet my country
You know that I am suffering from it
I greet my country”

In collaboration with Playing For Change, “Ahoulaguine Akaline” is the embodiment of our mission to connect the world through music, and this song, in particular, shows us the power of a single song to unite those separated by borders. In the words of PFC co-founder, Mark Johnson, “The unity of musicians around the world playing on this song is a statement that music is part of the foundation from which we rebuild our humanity and our world together”. With thanks to Bombino, the PFC team, and the many musicians who made this newest release possible, please enjoy our rendition of “Ahoulaguine Akaline,” featuring the world.


Quote of the Day:

“Music doesn’t lie. If there is something to be changed in this world, then it can only happen through music.”

Jimi Hendrix


Video of the Day:

This video is from Bombino’s 2010 return to Agadez, mentioned above.


Photo of the Day:

Mark Johnson pictured with Bombino in Los Angeles, July 17th.

One Love,

Playing For Change