Music, like history, on its own, is vast and full of surprising stories with unexpected turns and endings. It’s those unplanned and iconic moments that brought us some of the most important figures in music history.
Inspired by a report from the BBC in October 1984, activist and composer Bob Geldof, along with his partner, musician Midge Ure, created a charity Christmas single together named “Do They Know It’s Christmas?” featuring Phil Collins, U2, and Duran Duran along with many other artists with the objective of raising awareness of the Ethiopian famine crisis during the 1980’s which claimed the life of an estimated 1 million people.
However, this collaboration was just the beginning. It wasn’t until the morning of July 13, 1985, that one of the biggest events in the history of rock music would take place. Over two billion people around the world would turn on their TVs to see the live broadcast of Live Aid—a 16 hour musical event held in London and Philadelphia that brought together some of the greatest musicians from the 80’s and raised funds to provide food, medicine, and other vital items for the crisis becoming one of the biggest and most successful charity events in the world.
With a lineup featuring more than 75 artists, including Elton John, Madonna, Carlos Santana, David Bowie, U2, and Eric Clapton, there’s no doubt that many of the viewers hold one specific moment of the show in their hearts, the moment where the legendary icon and frontman of Queen, Freddie Mercury, got on the stage along with Brian May, John Deacon and Roger Taylor for a memorable 20 minute performance.
The quiet noises from the audience were suddenly awakened when Mercury started to play the first notes of “Bohemian Rhapsody,” and the stadium filled with singing voices and hands up in the air following the rhythm of “Radio Gaga.” But not only was Queen’s music legacy what made this performance one of the most memorable moments of Live Aid, Mercury’s charisma and creativity were also a living signature in each of Queen’s concerts and this time was no different. Without asking and with a single gesture, Mercury started to vocalize, followed by a perfectly synchronized audience, their voices following the artist’s gestures with an almost perfect pitch.
Without a doubt, Live Aid has proven that music can inspire people to act for a greater cause, reaching every single person in the world and creating a bond between all of us, an unbreakable bond that grows stronger when our hearts come together through the power of music.
Feel the spirit within these songs performed at Live Aid in the style of Playing For Change:
All You Need is Love (The Beatles) | Playing For Change
Imagine (John Lennon) | Playing For Change
Also, check out this playlist with the best rock jams from PFC:
The Weight | Featuring Ringo Starr and Robbie Robertson | Playing For Change
Listen to the Music feat. Tom Johnston (The Doobie Brothers) | Playing For Change
Knockin’ on Heaven’s Door | Afro Fiesta w/Twanguero & I-Taweh | Playing For Change
Higher Ground 2020 (Stevie Wonder) | Playing For Change
The River | Citizen Cope | Playing For Change
Barre | Songhoy Blues | Playing For Change
The Times They Are A-Changin’ | Brandi Carlile w/Mike McCready (Pearl Jam) | Playing For Change
Black Water | The Doobie Brothers w/PFC Band Live in Los Angeles | Playing For Change
Larkin Poe, a sister duo raised in Atlanta and based out of Nashville, are a rising southern roots and rock group that has a bit more connection to their roots than you’d expect. Receiving their name in honor of their great-great-great grandfather, Larkin Poe, cousin of Edgar Allen Poe, both Rebecca and Megan Lovell are carrying on the family legacy of artistry, one stunned crowd at a time.
Boasting their strong southern harmonies, gritty guitar riffs, and endlessly rhythmic vocals, Larkin Poe have developed their personal brand of blues throughout countless collaborations with premier musicians, ranging from Elvis Costello to Gary Clark Jr., Keith Urban and even Steven Tyler. Beginning their career as teenagers in 2005, the girls had formed a trio with their third sister, Jessica, calling themselves The Lovell Sisters. For four years, the sisters toured, wrote new music, performed at festivals like Bonnaroo, and self-released two albums of their own, all while honing their talents and refining their abilities. When the trio disbanded in 2009, Rebecca and Megan joined together to form Larkin Poe, and since then, have developed a masterful wheelhouse of old blues ballads and their own new-age Americana sound.
During their first three years as a duo, Larkin Poe released five independent projects and two collaboration albums. In 2013, the sisters managed to sign their first record deal with RH music, and immediately began their first full-length album, Kin. Following its release, the pair went back on the road, making appearances at Lollapalooza, Glastonbury (twice), and another stop in at Bonnaroo. In 2016, Larkin Poe contributed to Steven Tyler’s solo debut album, We’re All Somebody From Somewhere, and just last year, they were invited to perform with Don Henley and Jackson Browne at the Tom Petty Tribute performance in Los Angeles. Along the way, Larkin Poe has managed to release three additional albums, with their latest arriving just last week, November 9th, titled, Venom and Faith.
“Larkin Poe are not only highly professional, nearly perfect musicians, they also manage to add a new passion, modernity, and elegant coolness to the genre of Rock.”
Run In With PFC
We first heard about Larkin Poe through our friendship and collaboration with Robbie Robertson of The Band and his son Sebastian. They are both fans of Larkin Poe and once we checked them out, we too became fans for life. We were able to meet up with the sisters in Venice Beach, California, to record them performing a Live Outside rendition of Robert Johnson’s, “Come On in My Kitchen,” which was also featured on their 2017 album, Peach:
“We’re two southern sisters: born in Tennessee, raised in Georgia. Having grown up in the south, the blues has always been a huge part of our musical upbringing. In the past few years, we’ve been inspired to strip it back to our roots and pay tribute to the music that raised us… And “Come On in My Kitchen” was one of the first blues tunes we ever learned how to play.” – Larkin Poe
Currently, Larkin Poe is in the midst of a tumultuous tour with tickets still available for shows throughout the U.S. and Canada, U.K., Germany, Italy, Spain, and Australia among many more locations worldwide. They will be traveling throughout spring, with shows booked until the end of April, and their full tour schedule and ticket locations are available on their PFC musician profile.
We are grateful to have had the opportunity to collaborate with such an inspiring and impressive pair as Larkin Poe, and are excited to see what more will come from the soulful southern sisters.
In a vast world brimming with genuine talent, Taimane Gardner is among the most remarkable and awe-inspiring performers to take on the ukulele, breathing life and energy into her music that can only be described as a true force of nature.
Receiving her name from the Samoan word for “Diamond,” Taimane is a Pacific Islander herself, born in Honolulu, Hawai’i to a Samoan mother and European-American father. In tune with her name and heritage, Taimane cannot help but shine in the spotlight, pursuing her passion for music and expression of sound to its fullest extent throughout her 15 year career. By the age of 5, Taimane was learning and practicing the foundations of the ukulele, but soon found herself reaching far beyond the instrument’s traditional capabilities by introducing a wide range of genre’s and play-styles that were fueled by her inner rockstar. As her talents grew, this young and inspired musician soon caught the attention of many well known ukulele masters, and at the age of 13, she was invited to join Don Ho as part of his show at the Waikiki Beachcomber. Through this opportunity, her investment in her music soon became intertwined with a new passion for performance, and just as her technical abilities would grow, so too would her powerful stage presence become an impressive facet to her music.
“With the fierceness of a rocker, and the grace of a dancer, Taimane and her music are wowing ever-larger audiences.”
From Bach to rock, flamenco infernos to tribal hymns, Taimane focuses her songwriting and performances on bringing feelings and visions to life. Sharing her music with fans across the world, Taimane continues to tour extensively throughout the Hawaiian Islands, still finding time to play shows in Australia, Germany, Japan, France, China, and mainland U.S. among other locations abroad. Three years after her first show with Don Ho, Taimane would debut her first album, Loco Princess, and has since completed four additional album’s, the most recent of which, Elemental, released in 2018.
On Elemental she celebrates the energy of each element with songs entitled water, fire, air, earth, and ether. Recognizing her connection to the strength and beauty of nature, she possesses a unique ability to translate the objects our environment into audible energy, with soft finger-plucking to mimic the repetitive sounds of flowing water or dark and densely rhythmic strumming to simulate the violent storms of Mercury. Coupled with this enigmatic approach to the ukulele, Taimane can also be found shredding through covers of AC/DC, System of a Down, and “Stairway To Heaven” by Led Zeppelin.
Here is Taimane performing “Bodysurfing” at the Staples Center in Los Angeles, California:
The vibrantly expressive nature of Taimane’s ukulele is in many ways a response to the limitations that were put on her as a young girl with a big dream. She wanted to disprove the assumptions of how a true ukulele virtuoso looked and sounded, and in doing so, she has expanded the possibilities of the instrument for a new generation of musicians to learn from. Yet, as a renowned composer, performer, and masterful musician, Taimane’s impression of her music is much more lighthearted.
“The ukulele, although maybe underestimated, can definitely blow some minds”
Run In With PFC
In August of last year, Taimane and the PFC team first met at a BBQ at Mark Johnson‘s house prior to her performance at The Mint later that night. Upon meeting, both parties found an immediate connection, and spent the evening eating, talking, singing and playing together until Taimane had to leave for her show. In the months following this introduction, we were able to coordinate two Live Outside performances with Taimane and her fellow musicians, Jasmine “Jazzy” Skurtu (guitar), Windy Weather (violin), and Jonathan Heraux (percussion).
Here is their performance of “The Moon,” filmed in Kualoa Ranch, Oahu:
Taimane also has a history of playing with other PFC favorites, Jack Johnson, John Cruz, Paula Fuga,and Lopaka Colon Jr., all featured in our Songs Across Hawai’i series. While truly dedicated to her local Hawaiian community, Taimane’s talents have certainly not gone unnoticed, as she is currently on the Grammy ballot seeking a nomination for Best World Music Album. Heading into the future, Taimane will be releasing two new music videos later this year from her Elemental album, as well as a new song about her love of Yoga. She will also be writing and recording three songs for an indie feature-film being shot in Hawai’i in 2019, and is preparing for tour dates in the U.S., Israel, and Europe for the coming year. To learn more about her upcoming projects, please visit her website here.
Born to Cadillac, Michigan in 1983, Luke Winslow-King has always held his heart in New Orleans. With a love for tradition, soul, and vintage blues and jazz, Winslow-King has earned his place among a new generation of musicians carrying on the New Orleans sound into the 21st century and beyond. First arriving in Louisiana at the age of 19 while on tour with a Woody Guthrie tribute band, fate saw fit to see their van and equipment stolen, stopping the trip in its tracks. Despite their misfortune, Winslow-King soon found a longing to stay in the city, and committed the next 15 years of his life to playing, learning, and observing everything he could about the old sound that still lives there. Since then, Winslow-King’s commitment to Louisiana’s roots has only strengthened, and as he embarks to take on the larger international music scene, he makes sure to keep his sound tethered to the music he loves.
Run In With PFC
Having forged friendships throughout New Orleans, one of Winslow-Kings’ most notable partners is Roberto Luti, a longtime member of the Playing For Change movement and PFC band member. Since then, Winslow-King has made his fair share of contributions to the movement, the most significant being his song, Everlasting Arms, which became a PFC Song Around The World, and is featured as the second track on our most recentalbum, Listen To the Music.
Just this past May, Winslow-King released his sixth studio album, Blue Mesa, which draws from several of the genres that he has mastered since his earliest entry into the New Orleans music scene. Although closely intertwined with the Louisianian musical culture, the album was actually recorded across the world in the Tuscan village of Lari, Italy. Collaborating with keyboardist, Mike Lynch, drummer Chris Davis, and of course, Roberto Luti, Blue Mesa is Winslow-King’s most refined work to date, proving his preparedness to take on a larger international audience.
Next month, the band plans to hit the road, kicking off a European in the Netherlands on October 18th which will eventually lead them to Spain, Germany, France, and a final return to the Netherlands. To conclude the year, the group will come back to the U.S. to play two more shows in November in Winslow-King’s home state of Michigan. For information on upcoming Luke Winslow-King tour dates, please visit our PFC tour schedule page here: https://playingforchange.com/events/. You can also access Winslow-Kings’ tour schedule by visiting his PFC Musician page here: https://playingforchange.com/musicians/luke-winslow-king/.
“You can lean on me brother, I can see you’ve carried too long…” This lyric is something we can all relate to. Sometimes life gets to be too much or too hard and we need somewhere positive to put our troubles so we can move on. Music is one of best places to put your problems and lay down your burdens, and when you hear Luke Winslow-King, Vasti Jackson, Dr. John, and the Roots Gospel Voices of Mississippi sing these words you know everything is going to be alright.
“This song was co-written by Mermans Mosengo and my brother, Greg Johnson, a few years ago while we were on tour with the PFC Band. The simple message and anthemic chorus made me really excited to record it as a PFC Song Around The World. We started under the hot African sun in the village of Lukala in the Congo and we added musicians wherever we traveled for the past few years until we finally added the final piece with Grandpa Elliott playing the harmonica solo in New Orleans. Someday we’ll all be free, until then, music is our ammunition.”
It has been twelve years since the Playing For Change crew and Afro Fiesta first crossed paths in Cape Town, South Africa in 2006. Although the band’s roots are drawn from many different regions and nations throughout the world, the heart of their heritage lies in the Congo, where Jason Tamba and Mermans Mosengo of the PFC Band both grew up.
Both men have been committed to a life full of music from an early age. With decades of experience and performance now behind them, they speak the language of music just as well as any of the other languages in their arsenal, all of which are utilized in Afro Fiesta’s variety of songs. Yet, within this arsenal of creative ability, the band moves on the offensive, using Music as their Ammunition. Having great pride in their country, Jason and Mermans sing of the pain in their nation’s past, the beauty in its people, and the dreams they have for a free world.
Playing together for years has helped the two PFC musicians develop a special chemistry that is present whether they are performing in a 12-member band or just jamming out with each other. Their ever-present sound draws equally from both band mates where some songs partner Jason’s melodic French/English/Lingala lyrics with Mermans’ skill in percussion, while others rely on Mermans’ dense and deep vibrato and sharp strumming, backed by Jason’s rhythmic guitar and gentle vocals. The genre’s they draw from are a mix of Roots Reggae, Makossa, and Congolese rumba, with Latin and Rasta influence as well.
In tune with our most recent release, Afro Fiesta’s “Congo To The Mississippi” harnesses nearly all of these harmonious characteristics into one song, taking listeners on an audiovisual journey from the Congo and onward, all in pursuit of people living free.
In their own words:
Jason tells us a wonderful story of how he built his first guitar:
Mermans ‘Mo Faya’ Mosengo
Mermans sharing some truth about the Congo’s past and the meaning behind “Music is my Ammunition”:
Quote of the Day
“When the fans listen to our music they will feel hope. The struggle continues, ‘a lutta continua a Victoria e serta’ fighting alone will get you tired but fighting in a group will get you into a rhythm. I want my people to know we are together in the fight for the Congo.”
Mermans Mosengo, Afro Fiesta
Photo of the Day
Afro Fiesta is just one of the many bands in the world finding new ways to fight war, pain, and poverty. Why fight fire with fire when you’ve got an abundance of love to share? Just as Jason and Mermans are willing to step forward and lead in the push for peace through music, so too will there be those willing to join them and play by their side. From the Congo to the Mississippi, an endless array of people, cultures, and countries exist, each bearing their own unique languages, customs, and borders. Our greatest tool to connect this world is music, “because music goes where people cannot go, music goes” (Mermans Mosengo).
Thank you to Jason Tamba, Mermans Mosengo, Greg Johnson, and every PFC musician and supporter out there!
“I do not see my guitar as a gun but rather as a hammer with which to help build the house of the Tuareg people.”
With over 1400 years of deeply rooted historical and cultural context in a single song, “Ahoulaguine Akaline” comes from a different breed of rebel rockers. Kel Tamasheq, known commonly as the Tuareg people, are an ancient society of nomads and herdsmen that exist across the Western Sahara desert, spread into regions of Mali, Burkina Faso, Niger, Libya and Algeria. For the Tuareg, the desert has always been their home, but this home has come at a great cost to its people. Throughout the 19th century, colonial imposition cut borders across the Sahara desert, dividing the Tuareg into any of these five neighboring nations. Due to the Tuareg’s powerful resistance of French control, their governance and territory was overwritten by colonial rule, while other less threatening nations arose in cooperation with European expansion. From this division came even more violence as the Tuareg community clashed with their new hosts and governments. Yet, as these nations fought for control over the region, so too did the Tuareg continue their fight for autonomy, seeking independence from the powers that they never wished to be a part of.
In this endless rebellion, death, discrimination, and exile had become all too common for the Tuareg people. So, in hopes of returning to an era of peace, many veterans of the rebellion have put down their guns in exchange for guitars, taking to music to celebrate their life, culture, and to bring about an end to this century-old struggle.
One such rebel who has gained international recognition for his remarkable talent and career is Omar “Bombino” Moctar. Born in Niger in 1980, Bombino is a Tuareg rock ‘n’ rebel who learned guitar at a young age, citing Jimi Hendrix and Mark Knopfler as his greatest influences. Dubbed, “The Sultan of Shred,” Bombino has long been recognized as one of the world’s most talented guitarists, but while his career has gained considerable attraction in recent years, his home life has been all but predictable. In the early 90’s, Bombino’s family was forced to flee to Algeria to escape conflict that arose against the Tuareg. It was during this exile that Bombino was first introduced to the guitar, and years later upon his return to Niger, he would join a band where he first received the nickname, “Bombino,” which is a variation of the italian word for, “little child.”
Despite returning home, building his career and shaping his path, Bombino was forced into exile once again when Tuareg rebels clashed with the Nigerien government in 2007. Along with Tuareg soldiers, the government also labeled Tuareg guitarists as enemy’s of the state, due in large part to their rebellious lyrics and opposition of Nigerien control.
It wasn’t until 2010 that Bombino would return to his hometown of Agadez. In celebration of the peace treaty between the government and the Tuareg, Bombino was granted permission by the Sultan of Agadez to host a live performance in the center of town, an event that would have been unthinkable just a few years prior.
The title of this song translates to, “I greet my country,” and it was originally written by another Tuareg rebel, Intayaden, and was later re-imagined by Bombino on his album, Agadez. Though simple in structure, it is in its simplicity that it captures the powerful sentiment of pain and sorrow felt by Bombino, the Tuareg, and all those who understand the context in which it is being sung. Truly, “Ahoulaguine Akaline” is an acknowledgment of the hardship endured by all Kel Tamasheq, but its purpose lies in its ability to connect the people of Mali, Burkina Faso, Niger, Libya, and Algeria together through its music.
“I greet my country where I left my parents
I greet my country
I greet my country where I left my love
I greet my country
I greet my country where I left my community
I greet my country
You know that I am suffering from it
I greet my country”
In collaboration with Playing For Change, “Ahoulaguine Akaline” is the embodiment of our mission to connect the world through music, and this song, in particular, shows us the power of a single song to unite those separated by borders. In the words of PFC co-founder, Mark Johnson, “The unity of musicians around the world playing on this song is a statement that music is part of the foundation from which we rebuild our humanity and our world together”. With thanks to Bombino, the PFC team, and the many musicians who made this newest release possible, please enjoy our rendition of “Ahoulaguine Akaline,” featuring the world.
Quote of the Day:
“Music doesn’t lie. If there is something to be changed in this world, then it can only happen through music.”
Video of the Day:
This video is from Bombino’s 2010 return to Agadez, mentioned above.
Photo of the Day:
Mark Johnson pictured with Bombino in Los Angeles, July 17th.
“One evening, a few years ago in Salvador da Bahia, Brazil, the PFC crew and I were waiting for an 80-year-old cuica player to perform on a Song Around The World. I remember it seemed to take forever for him to make it down the hill, as he would stop off in every bar along the way for a drink and some conversation. As we waited I looked and saw a Rastaman walking across the street with his acoustic guitar in hand. I waved to him and he came over to see what we were doing with all our equipment. I told him about Playing For Change and he agreed to play a song for us while we were waiting. The result was an incredible, spontaneous performance of Dennis Brown’s ‘Rasta Children.’ His voice reminded me of Peter Tosh and he sang with so much soul that we realized this could be an amazing Song Around The World. Just one man and his guitar playing on the street set the tone for this song and we added a worldwide band of roots musicians around him. ‘I and I deal with humanity…'”
– Mark Johnson, PFC Co-Founder
Rasta Children’s Roots
“Rasta Children” was released in 1979 by Dennis Brown, who was known as The Crown Prince of Reggae. One of Bob Marley’s favorite singers, Brown led a prolific career having recorded more than 75 albums throughout the 70’s, 80’s and 90’s. It was actually in Brazil where his journey would end—falling ill with pneumonia in 1999 and dying of a collapsed lung days later. Yet, while his physical journey on this earth would come to a close, his musical legacy continues to live on years later thanks to a chance encounter in Salvador da Bahia, Brazil.
With help from 16 different musicians across 6 different countries, PFC’s rendition of “Rasta Children” is a beautiful melting pot of talent. Of course, the Rastaman mentioned above is Paulo César “da Luz” Pereira, whom we met back in 2011. As he was the true inspiration for this Song Around The World, we are lucky considering all of the forces that allowed our paths to cross. Had it not been for the popularity of the 80-year-old cuica player, we may never have been able to capture such an organic and truly special performance, nor could we have gone on to share it with musicians and supporters around the world.
This meeting shows us the beauty in the world just waiting to be discovered, and the chance encounters that bring these moments to reality. One such story is that of another musician in this collaboration, Brushy One String, who began his career many years ago as a street musician in Jamaica. With an uncanny similarity to PFC’s earliest beginnings, a filmmaker named Luciano Blotta was leaving a Jamaican recording studio when he noticed a man on the corner playing an old acoustic guitar with only one string. After recording his song, “Chicken in the Corn,” Blotta left Jamaica only to find the video blow up on the internet with thousands of people suddenly showing their love and support for Brushy. Since then, he has led a full career performing in places like France, Argentina, Japan, and the U.S., while continuing to play throughout Jamaica. It seemed only fitting, then, that Brushy join with PFC to record “Rasta Children” in his hometown of Ocho Rios, and continue to promote a life dedicated to peace and unity through music:
“If we can change the words and melodies and bring back the love, we can have a balance between God and man,” Brushy reflects. “That’s what we need to put the world together.”
Very much in frequency with Rasta Children’s nature sits Nattali Rize, a roots-rock-and-reggae rebel queen who has earned international fame as a singer/songwriter and social activist. Beginning as a street percussionist in Byron Bay, Australia, her career has grown through her dedication to an urban roots collective, Blue King Brown, and on to building her own band, changing her name from Natalie Pa’apa’a to Nattali Rize to reflect Bob Marley’s lyrics for “Rise Up.” With an emboldened attitude, Nattali Rize’s performances are praised for their, “epic, high energy, thought-provoking and uplifting live performances,” (Nattali Rize). Another featured musician in “Rasta Children” that deserves just as much credit to the success of Nattali Rize is Carlo Santone, a bandmate, manager, and partner of Nattali’s, who has worked with her since 2004.
Currently, Nattali Rize is just coming off a West Coast California tour, and will continue performing her latest album, Rebel Frequency, throughout France until the end of August. The full album is available by following the link above, and it boasts just as much of its Rastafarian roots while blending her own New-Era style and humanitarian message.
“Never forget, we are one human family and no one, man or woman or child, is illegal. We are the pioneers of a paradigm change and creators of a new world!”
We are introducing a new feature on the Playing For Change website. Now on musician pages, along with photos, featured videos, and related links and musician accounts, we will also be promoting individual tours and shows happening around the world. You can view our entire musician tour schedule by following the musician tour dates link above, as well as access individual events by searching for your favorite artists’ PFC page.
While this is an ongoing process, you can expect more tour information to be uploaded and updated regularly as we are always collecting new and amazing musicians. One of our longtime friends, Roberto Luti, will be performing in Denmark with Luke Winslow-King this August. Find more information about these events by following the link provided.
Playing For Change is proud to join our partner, nana, for the “Listen to the Music” Contest!
Collaborate with musicians from around the world using official Playing For Change tracks exclusively available on the nana app. Nana will carefully hand-select 20 finalists from all submissions and the PFC team will choose the “Best Collaboration” and “Outstanding Collaboration” to win some special prizes.
DOWNLOAD THE APP
STEP 1: Learn the original song
STEP 2: Choose which track you would like to collaborate on and record
>Check out the official tracks by Playing For Change
>Go to the track you want to collaborate on and Hit the Collab button to add your sounds
For Singers: You can sing solo or sing with the backing chorus. You can also add some harmony or ad-libs to it.
For Musicians: You can play your instrumental tracks and build on sounds.
STEP 3: Post with hashtag #nanaPFC
Posts without the hashtag above will be disqualified.
Posts without any singing voice or instrumental sound will also be disqualified.
>1 year PFC membership including an audio digital download of the “Listen to the Music” album and access to PFC’s entire music library
>PFC Shop e-Gift Card (worth $50 USD)
>Receive a special shout-out on PFC social media
>3 month PFC Membership
>Receive a special shout-out on PFC social media
About nana music
Music social app “nana” is a social community where you can “record & post,” “collaborate & share,” whenever and wherever you are with your smartphone. Since its release in August 2012, more than 6 million registered users across the globe are collaborating and enjoying a global music session. Learn more about nana.
Extended Deadline: September 10 – November 4, 2016
One of the most respected songwriting competitions throughout the world, ISC is known for being a launching pad for music and songwriting careers. More than $150,000 in cash and merchandise will be awarded to 71 winners, including a Grand Prize of $25,000 in cash.
Have your music heard by some of the biggest names in the music industry. Renowned for having prestigious celebrity and industry judges, ISC has an impressive line-up for 2016, including: Tom Waits, Chris Cornell, Ziggy Marley, Bastille, Lorde, Sara Evans, Donovan, India Arie, Mike Stern, Joe Bonamassa, Marti Maguire (Dixie Chicks), Joy Williams (The Civil Wars), Ryan Bingham, Salif Keita, Vijay Iyer, and more – plus top industry executives from major record labels including Craig Kallman (Chairman/CEO, Atlantic Records), Dan McCarroll (President, Warner Bros.), Seymour Stein (Chairman/CEO, Sire Records), Daniel Glass (President, Glassnote Records), Craig Balsam (Co-Owner, Razor & Tie), John Esposito (Chairman/CEO, Warner Music Nashville), Steve Yegelwel (Senior VP, Island Records) and many more.
Categories include: AAA (Adult Album Alternative), AC (Adult Contemporary), Americana, Blues, Children’s Music, Comedy/Novelty, Country, EDM (Electronic Dance Music), Folk/Singer-Songwriter, Christian, Instrumental, Jazz, Latin Music, Lyrics Only, Music Video, Performance, Pop/Top 40, R&B/Hip-Hop, Rock, Teen, World Music, Unpublished, and Unsigned Only. Entrants may submit as many songs as they wish – in the same category or in multiple categories.
NEW IN ISC 2016
This year ISC has added a new category called Unpublished. We all know how important publishing is to an artist – it is one of the major sources of revenue, but it is so difficult to get your music heard by publishing companies. So, ISC is taking steps to open the doors for you by having established, high-profile publishers as judges for this category only. This is your chance to get your music heard by publishers who can help your songwriting career. Songs entered into Unpublished cannot be owned in any part by a music publishing company (entrant must own 100% of the publishing rights to the song). Songs entered into the Unpublished category must also be entered into at least one other category (excluding the Unsigned Only category). Entries in this category will be entered in ISC 2016 and be eligible for all associated prizes.
Join the ranks of past winners Vance Joy, Kimbra, Goyte, The Band Perry, Passenger, For King and Country, Bastille, Kasey Chambers, Gin Wigmore and many others – and enter your songs now.